Somehow it is April and I’ve been busy working on 3 shows. This year I’ve been up and down to Sheffield a couple of times (thank you Fronteer gallery for including my kale lumen in Tiny Plants - it’s now off to Photofusion), the Dulwich Heritage Cheese Gallery have been wonderful (and I’m taking part in a ‘meet the artist’ afternoon coming up soon), I’ve walked through wild winds and mud with small people for miles (hurray for their energy and love of the outdoors), and I’ve enjoyed exquisite exhibitions. My creative journal is slowly filling up and I’m well stocked in expired photographic paper. The solstice solargraph was a dissapointment but you can’t win them all.
2023
Bits of 2023. I didn’t practice nearly enough. Almost every roll was a failure (I left a few out on a hot ledge by mistake, bought too many handmade rolls, used mostly broken cameras), but I’m alright with it because things were not really clicking into place. I paid more attention to my new greenhouse, built in the summer. The greenhouse was perfect for making lumens once I had enough ledge space.
I accidentally took a pinhole on a trip with some friends, which resulted in a roll of 20-odd exposures that I love. Albiet, none of that trip came out well. I picked up my polaroid 600 again. It’s an early model with no ability to turn off the flash. My broken cameras might be too far gone now, though I still like this little broken 32mm which doesn’t have a lens cap.
I exhibited a couple of times, and stayed mostly on the outside of my little artist communities - one is active, the other is a lot less. Maybe it’s the age that my daughters are at; they need every moment of me that is available to them. I don’t need to be out there, busy and doing shows all the time. The tail end of December gifted me a lot of perspective.
Follow links for 2021, 2020, 2019, 2018, 2017, 2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009.